This book comes out tomorrow

Posted By Jill Myles on June 29, 2009

It’s been a while since I’ve raved about a book, but I truly, truly loved this one. I went into it with no expectations – I’ve been on a definite historical romance slump, and especially slumping in the areas of regency or Victorian (this is a Victorian). But I met Meredith at RWA last year and she was such a fun, sparkling personality that I wanted to read it, regardless of genre ennui.

I. Loved. This. Book. Words cannot describe how much I freaking loved this book. I started to read it and couldn’t put it down. After I finished it, everything else made me fussy because it was Not This Book. She ruined me for a good two weeks on other reads.

The hero and heroine were perfect. Perfect. If you liked Loretta Chase’s MR. IMPOSSIBLE, you simply must read this book. Jane at Dear Author gave it an A. The Book Smugglers gave it an 8 out of 10. It’s brilliant and clever and tender and I think Duran is going to be the next Loretta Chase.

You seriously want to read this book, guys.

Copyedits have landed

Posted By Jill Myles on June 26, 2009

If I’m quiet lately, it’s because I’m busy. I started a side project just for fun, and sure enough, as soon as I launch into that particular project…copyedits arrive!

That’s all right, though, because I’m quite happy to get my copyedits out of the way.

It’s funny, because when copyedits were originally mentioned to me, I had the notion that someone would send me a big long print-out of changes to make to the manuscript. Then, I’d have to take each page and make the changes on my document. After all the endless changes were done, I’d print out a fresh one and send it back to my publisher.

Apparently, I was not the only one with this misconception. The letter on top of my manuscript says, quite clearly (and possibly in bold AND capslock) – make the changes on this document. Do not print a fresh document. We need this document back. Lose it and die.

(Okay, so maybe the last part is not on there)

I was also provided (very thoughtfully!) with a green pencil. At first, this amused me. They’re sending my copyedits…AND a green pencil? Some sort of weird two-fer deal? But the green pencil is very important. My copyedits are marked up with red, grey, and blue already. I have to use a different color so my changes stand out.

Armed with my green pencil, I dive in to see what a copyedit is all about. Turns out…it’s about reading other people’s marks to my manuscript to see if they make sense. Some of them are punctuation related. Once upon a time (and even today) I loved me some extra commas or em-dashes. My copyeditor does not like them so much, so there’s a lot of them marked out. Other punctuation changes. Deleting unnecessary words and sentence tags (there’s an embarrassing wealth of this).

I also have in the margins several notes about things to clarify. “On page 12, you said it was a diner. On this page you say it’s a café. Which is it?” So I correct the item and write ‘fixed’ over the note. The bigger changes, I’m making a note to go back and fix at the end. For now, I’m still re-reading.

Did I mention this is a long, time consuming process? The first few days, I had no clue what I was doing and didn’t know what half the marks meant. Took me 2 days to get through 25 pages. (Did I mention I have to have this turned in ASAP?) Luckily, I’m getting more confident with the changes as I go, and was able to make a big leap in progress yesterday. I should have no problems finishing on time, which is nice.

After all this is turned in, about a month later, I get galleys! I have to admit, I’m really excited about seeing galleys. That’s when all the fonts and styles are set, and the book starts to look like a real book instead of just my old manuscript.

Social Fail

Posted By Jill Myles on June 20, 2009

I meant to go to the local RWA meeting this morning. It would have been an awesome one – the speaker was talking about marketing and publicity.

But someone (and we won’t mention any names here) slept until 1pm. Way, way past meeting time. Sigh.

So I have the rest of the day to sit in my pajamas, with dirty hair. I think I’m going to surf the internet, twitter a bit, and write. I wrote 2 pages in a fun side project – I’m going to see if I can write a novella based on a concept I had rolling through my mind (and one that Jane encouraged).

Wish me luck!

More stuff I can’t show you.

Posted By Jill Myles on June 17, 2009

I got cover art for my second book last night! It made me squee in all the right places. Love my publisher – Pocket does really amazing romance covers, and it makes me sosososo happy to see mine.

But I can’t show you. At least, not until I get approval. BUT! I can show you a little something that is going on the cover…


“Laugh-out-loud scenes, scorching eroticism, and pulse-pounding adventure.” — Kresley Cole, New York Times bestselling author of Kiss of a Demon King

Perhaps you did not read that closely enough. I’ll wait here while you read it again.

KRESLEY FREAKING COLE BLURBED MY BOOK YOU GUYS.

(Perhaps you recall last RWA, when I mentioned I might meet Kresley? And I was excited? And posted this picture?)

That’s right. She was nice enough to make my day year decade and blurb my book.

You so want to read it now, don’t you? Yeah. Me too.

(But I get to! Because I am getting copyedits this week! And I’ll get to read — and edit — the whole thing AGAIN. Oh writer’s life, you are a glamorous one.)

Anyhow, there was some great link salad going on around and about the interwebs, most of it related to writing. Here ya go:

http://m-stiefvater.livejournal.com/111221.html <-- On writers and self confidence, and how being confident in your work does not equal ego. At least, not always. (Maggie has an awesome journal, guys. You should be reading it.)


http://beth-bernobich.livejournal.com/282487.html
<-- Beth Bernobich talks about poisonous writers on the web. Can I get an amen?

http://jimhines.livejournal.com/450145.html < -- Jim Hines talks about writers with 'real' jobs vs writers without real jobs. Excellent post. Jim's posts on the business side of writing are an absolute must.

http://www.youtube.com/watch?v=9JK7IKSfyLE < -- Earworm of the day (not the real video, just the song)

http://mymilktoof.blogspot.com/ < — Cutest blog ever. EVER.

And that’s all I got for now. :)

I came, I saw, I may have possibly rewritten it a billion times…

Posted By Jill Myles on June 15, 2009

Oh editing. I love you and I hate you. It feels like I’ve been doing nothing but editing since April (ETA – that’s pretty much the truth, actually). I had a few lingering scenes that were breaking my head on VANISHING ACT, so I logged off the internet and went and worked in the other room. No distractions, just me and my characters as I tried to force them to do things that did not feel natural (since I’d already written the climax of the story once, rewriting it in a different direction – no matter how good the direction is – still feels unnatural).

But I wrote a huge chunk and I’m happy to say that I’m done, more or less, with the edits. Except I’ve got to go back through and re-read one more time to make sure there’s no bizarre jumps in logic. At one point I ripped out almost 40k from this book and rewrote back in about 25k (some of it coming from very early drafts).

For those of you that are word count junkies like myself? Starting tally of this book – 92k.

Tally after completing the last draft? 74.5k – my goal. I’m really happy with that number. The 92k felt bloated, but I wasn’t sure where to cut. The 75k feels much more streamlined for a YA.

I expect the wordcount to bounce up a little as I go through a paper copy of the novel and re-read one last time. There’s always tweaks here and there. But I can’t imagine it getting much higher than the 75k it stands at now.

And maybe now I will go back to my crackhead project. Or work on some short stories. Have not decided, but the world is my oyster. For a few weeks, anyhow.

A rant on word count

Posted By Jill Myles on June 9, 2009

So. Wordcount. (Yes, I’m struggling for things to blog about, and Moonrat just posted something awesome on her blog and it reminded me that I wanted to talk about this.)

Here’s a great post from an editor:

http://romanticreads.net/2009/03/12/the-economics-of-word-count-requirements/

Here’s another great post from Moonrat (who is also an editor):

http://editorialass.blogspot.com/2009/06/is-there-word-count-cap-for-debut-novel.html

Here’s another great post from an agent:

http://theswivet.blogspot.com/2008/03/on-word-counts-and-novel-length.html

Okay. Did you read those three? All three of them mention word count. Did you also notice how small the word counts are? 80k. 85k. 90k max.

There seems to be this mythical unicorn of a concept that longer books still sell! Stephenie Meyer’s TWILIGHT was 700 pages long! JK Rowling’s books were enormous! Diana Gabaldon’s OUTLANDER is a brick of a book!

All right then. Let’s recap:

1) Did you make 50 million dollars last year like Meyer?
2) Are you JK Rowling?
3) Did you write OUTLANDER?

If you answered “Yes” to any of those questions, then please do ignore word count (and me!).

If you answered “No” like most everyone else, it’s something to pay attention to.

Bloated word count costs your publisher money. I’m sorry, but there it is. You can fit three fat books on a shelf where six slimmer ones might fit. You get paid the same for both. Would you rather sell three or six? Would you rather B&N or Borders order 3 copies of your book or six? What about Wal-Mart?

I buy a lot of books at the grocery store. My favorite one has the mini-racks – little black wire brackets that are made to cup the paperbacks. They can squeeze usually about five or so books in there. Last fall they reprinted GONE WITH THE WIND, gave it a snazzy new cover, and put it on the racks. Guess how many copies of GWTW could fit in each slot? One.

When I turned in GENTLEMEN PREFER SUCCUBI, I seem to recall the word count being around 95k or so. According to Amazon, my book is 384 pages long, and I still have no acknowledgements/author notes and I haven’t gone through copyedits. It could potentially keep growing:

Word count for my book!

I had no idea my book was so freaking long, you guys! But there it is. And maybe if my book would have been 70 pages shorter or something, B&N might buy 6 instead of 5 to put on the shelf. But it is what it is. And my book might cost my publisher just a little bit more than the last guy’s because my page count might be longer than Book X. Or my print run will be smaller. You can be darn sure that your print run is going to be smaller if your book is 500 pages long. Why? Because you’re going to require a lot more space on the shelf. And unless your first three initials are G. R. R. (and add an M), space is at a premium.

You want those pretty co-op slots at the front of Barnes & Noble. You want as many of your books squeezed into those slots. If your doorstopper makes it to co-op and you only have two on the shelf, and both sell, do you think they’re going to re-stock your book right away, or do you think an employee is going to wander past and just fill the blank slots with whatever is closest?

I visit a lot of writing boards. And word count ALWAYS ALWAYS comes up. And there seems to be this common misconception that “It’s okay for a fantasy novel to run longer!” or “Romance novels that are 500 pages still sell!” Usually these misconceptions come from one of three things:

1) Writing guides or writing books that are 20 years out of date, when the cost of paper wasn’t an issue, and when bookstores weren’t optimizing space like they are today.
2) The books that are 500 pages long were actually from authors that continue to have a backlist in print because they’ve sold so well for a dozen years (see OUTLANDER or GWTW).
3) That book is just that damn good.

And hey, maybe you’ve got #3. I’ve got confidence in my writing, but I know if I went back to my editor and said “Book 2 is going to be about 200k, is that all right?” she would probably need a drink. Or three. And then start writing me a tough letter about how I needed to chop my word count. Because she can’t go to marketing and say “About that book 2? Yeah. It’s going to be 700 pages long.” Marketing won’t like that. Publishing is all about the numbers, and you just threw off your profit margin by a landslide.

There was a great post from Anna Genoese a few years back about how every book considered for acquisition is immediately entered into a P&L spreadsheet to see how much money the company can make. I don’t have the link anymore (unfortunately) but it’s a real eye opener. You’re not writing a work of art for the publisher – you’re pitching a product to them. It’s all about the bottom dollar, baby.

Don’t get me wrong. Longer books still sell. Someone’s always going to pop on the message board and say “I sold my 170k book for a six figure advance!”

Wow, that’s awesome! Lucky you! You just hit the equivalent of the publishing lottery!

Some people also get 7 figure deals right out of the gate! Or tons of promo and publicity! And a 20 city book tour and a blurb by Stephen King!

And then there’s the rest of us. :)

What I’m trying to say here…if you’d rather have the odds in your favor, take a long, hard look at your word count and see if you can’t shrink it a little.

When I queried my first book, the word count was 110k. I got nowhere, so I revised and dropped it to 100k. Got some interest. I *really* got interest when I mentioned that my book was in the lower 90s. Agents want something they can sell, and I imagine something that’s an easy sale makes it that much easier to get an agent. A long word count is automatically going to put you in the ‘long shot’ territory.

(And wow, this got totally Ranty McRanterson, didn’t it? My apologies!)

What I saw on my way in to work today…

Posted By Jill Myles on June 8, 2009

A boy (man?) in a black shirt with a skinny red tie, skinny jeans, and a black polka dotted fedora hat.

A girl in skinny purple jeans, a black concert t-shirt, and her hair was long in the back, and shorter layered, textured waves in the front. I swear it looked like a mullet.

In the car behind me, I could see the boy in the rearview mirror. He had Adam Lambert-ish hair, except it was glued/styled down so far over his face that it covered one eye, and spiky in the back.

Dude. When did I wake up back in the 1980s? Should I break out my gold lame MC Hammer pants?

(Just kidding about the Hammer pants…OR AM I?)

Oh, the joy of release day.

Posted By Jill Myles on June 2, 2009

Not my release day! Someone else’s. It’s that day you’ve been waiting for, the day that is led up to by scouring the local grocery stores in the hopes that a hapless Andersons (or whoever is the distributor now) employee put out the books early. And when that fails, it’s taking my lunch hour to make the trek – in the rain – to Barnes & Noble for that most prized of possessions.

THE NEW CATHERINE ANDERSON BOOK. BOOYAH.

I will be useless tonight in a reading marathon. Two words for you. Gun and slinger, baby. Gun and slinger.

Also

Posted By Jill Myles on May 30, 2009

I have discovered Goodreads and spent half the evening tagging some of my favorite reads. I’m Jill Myles on there as well, if you’re on Goodreads too!

Second editing pass – done!

Posted By Jill Myles on May 30, 2009

WHEW.

I’m still working on VANISHING ACT (which was once called UNNATURAL). Started with a draft of 89k. The file I’m now staring at is 66,866 words. Sure, I may have had to sacrifice most of the last 5 chapters (sob) and there’s one I yanked out entirely because I’m going to have to rework it from scratch, but this editing pass is done. This draft was by far the worst one.

For those playing along at home, this is draft #eleventybillion and one. Kidding. I honestly don’t know how many drafts this is. I think I edited this book 6 or 7 times before I said to my agent “Hey, can I make it a YA?” She said yes, so I edited it again, and sent it back.

This round was to fix the (tons) of suggestions she had, to shorten the draft, and to type in the mark-up changes I’d written out on paper.

I have a list of notes for stuff to fix in successive drafts (like we talked about in the prior post) and the list is here:

1) Make R a conspiracy theorist – check his dialogue and actions
2) D threatens L via J – make sure to add this in and to correct their interactions — this changes J’s motivation
3) L’s personality = too old. Fix!
4) Connect gym scene (okay, so I have no idea what I meant when I wrote that one down, but I’m sure I’ll understand what the hell I’m talking about when I actually get to the gym scene again)
5) J should be able to hear W’s thoughts starting at page 206. Note to self–Either this scene needs to change or I need a workaround.
6) School lunch room (correct prior scenes showing private kitchen)
7) p213 – helmet?
8) Add in chapter of doom.

Some of these are a snap to fix. Like, say, #3. I just basically do a word-search for his name, tweak his dialogue and body language so he actually sounds his age. Some of it (I’m looking at you, #8) is going to break my brain.

But whew. Feeling a major sense of relief here as I move forward! The hardest stuff is done.